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May 5, 2009
Review of “Fete Bucolique” at New Gallery in Houston, Texas by Joseph Bravocategorized under Interview
Solo Exhibition read the review by Joseph Bravo
May 3, 2009
Review of “Fete Bucolique” at New Gallery in Houston, Texas by Debra Brozcategorized under Interview
Solo Exhibition read the review with Cantanker Magazine’s Debra Broz “…There are beliefs around what feminism is that I would claim as my own, some I would reject. How absurd today, to think that women would have to definitively choose to want cock or no cock, penetration or no penetration, to be a good girl or bad, dominant or passive, empowered or a victim. And surprisingly, there are feminists out there who adhere to the idea that some of these scenarios are an “either/or” situation. I think women today should have the freedom, inventiveness and sense of play to momentarily move in and out of these, or any desires. And fortunately, we today live in a culture where that is more possible. There is no denying the strength, power and effectiveness that the feminists of the 70’s demonstrated, as they forged the way for future generations. Their poignant (if not always great) art have brought us one step closer to understanding classlessness, unprejudiced, open mindedness and social equality. If those are the goals of an evolved contemporary Feminism, it is politics I share and claim as my own.” – the artist
May 1, 2007
Metrohouse : Identity Complexcategorized under Interview News/Events
Solo Exhibition
  November 12, 2006
“U-Genics” Interview with Terri Thomas by Joe Martin Hillcategorized under Interview
Solo Exhibition read the interview with Joe Martin Hill (founder of Vision Connect and currently working on the curatorial team assisting Robert Storr in the preparation of the Venice Biennale for 2007)
JMH: Your exhibition is conceived on multiple levels. The individual works stand alone, but there are permutations in series. And then there is an overall installation strategy of different positions relating to similar themes. In that sense, the exhibition itself might be viewed as an installation work. It’s a lot to take in! What clues can you give for finding meaning in the whole? And is this important? ….
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